Tram driver Marie has far too much to do after her shift is over. But she likes to do it all since she loves her husband Václav sincerely. One day she spots him on the Lesser Town Square in Prague, kissing an attractive blonde good-bye. It seems to Marie that her small comfortable world has collapsed and she walks out of the tram in tears. But her sadness does not last long. She wipes off the tears and begins to act. She withdraws all the money from their savings books and buys off all the latest models from the Fashion Works. The visit to the beauty salon then completes her transformation into a lady.

A remake of Vávra's 1948 atomic age thriller Krakatit. Engineer Prokop creates the devastating explosive “Krakatit” and soon confronts manipulative agents and imperialist conspiracies. Realizing his invention’s threat, he fights to prevent its misuse, risking everything to stop those who seek to exploit his epochal discovery.

The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.